On the five-day Bikaner Theatre Pageant, various themes and types entertained the viewers
Bikaner is mostly recognized for its forts, palaces, the Karni Mata Temple, sweets and spicy snacks. What’s little recognized is its vibrant theatre panorama and discerning viewers. This truth is vividly illustrated by the five-day Bikaner Theatre Pageant 2020 which ended just lately and featured 5 performs each day at completely different auditoriums throughout the city. It’s a matter of delight for the theatre lovers of Bikaner that it has greater than 5 auditoriums out there to novice theatre teams at nominal rental prices.
One of many prestigious occasions of Rajasthan, the theatre pageant was devoted to eminent theatre director-playwright Bhanu Bharti who has created a lot of theatrical milestones like “Pashu Gayatri”, “Chandrama Singh urf Chamku”, “Andha Yug” and “Tughlaq” in his greater than four-decade-long artistic life.
A lot of the performs staged on the pageant painted practical image of the prevailing social life and some captured mythological imagery and recreated people themes. The thematic selection and spectacular presentational types stimulated, moved and entertained the viewers. One of many performs “Saadhu Aur Sundari”, introduced by the Division Drama And Theatre, Raja Man Singh Tomar Music and Arts College, Gwalior, explored farcical components in opposition to the backdrop of rural panorama of Bundelkhand .
Fillip to people
Tailored by Dr. Himanshu Dwivedi from Mahakavi Bodhayana’s “Bhagavadajjukam”, “Saadhu Aur Sundari” is a farce which is incessantly staged by a lot of administrators in several variations. In English, the play is popularly often known as “The Hermit and the Harlot”. The Bundelkhandi model below the course of Dr. Dwivedi is ready in Swang model, a people theatre type, which imparted fluidity to the motion, enhancing the tempo of the manufacturing. The director has additionally synthesised different components of the people theatre of the area like Badhai, Raee, Naurat and Jhijhiya. An array of people musical devices accompanied the vocalists.
The principle characters embrace a hermit, a disciple, a courtesan and her girl attendant, messenger of Lord Yama and a hopelessly misfit rural doctor invited to remedy a snake-bite affected person. All these caricatures work together in a manner that creates farcical conditions which evoke laughter lengthy and loud. The hermit is extra involved along with his personal religious upliftment, ignoring what is going on round him. His disciple, seemingly a simpleton, grew to become a monk merely to get sufficient meals and at one stage had an infatuation for a courtesan. Nonetheless, the machine of transmigration of the hermit’s soul into the physique of the courtesan and courtesan’s soul into the physique of hermit create hilarious moments. The mixing of Bundelkhandi conventional artwork kinds makes the manufacturing visually and aurally fascinating. Rahul Shaaky because the disciple, Narendra Singh Chauhan because the hermit and Seema Soni because the courtesan with mischievous allure, are eminently comedian.
From Chittorgarh, director Narain Sharma introduced Turra Kalangi which is a well-liked type to convey earthy humour and the message of social concord. Two rival teams of performers, one representing Lord Shiva and one other feminine determine which is the embodiment of invincible energy. By means of their full-throated musical rendering in a type derived from Khyala to the accompaniment of vigorous dances attempt to set up the prevalence of their respective divine picture. The truth is, Turra and Kalangi are two ornaments that are connected to royal turban so as to add splendour. Utilizing aggressive gestures, high-pitched rendering of dialogue at locations, the performers set up a full of life rapport with the viewers. The verbal acrobatics of rivals are as a lot retaliatory as these are replete with wit and humour. In its authentic type, the present lasts for hours, regaling a whole bunch of spectators, incessantly indulging in unsavoury dialogues, insulting rival events.
Within the manufacturing below evaluation, the rivals lastly reconcile and settle for the necessity for gender equality and convey the message of communal concord.
Kalandar, Jaipur introduced “Bhanwarya Kalet”, which is written and directed by Sikandar Khan. The play depicts Mirasi individuals of Rajasthan languishing in distress as a result of their conventional occupation of ballad singing and leisure has virtually sunk into oblivion. The play opens on a be aware of suspense however it’s not sustained lengthy sufficient. The manufacturing hardly acquires dramatic momentum and the tempo is sluggish.
Nonetheless, the director has created the appropriate atmosphere by which Mirasi household is condemned to outlive as a scrap vendor and compelled to permit anti-social components to make use of their dingy room as a dumping place for his or her ineffective materials.
Since Mirasi tradition is wealthy in music, the director may have used background music to bolster the stark pessimism that permeates the manufacturing. The narrative is just too easy to create dramatic battle. The stage is just too cluttered to permit performers to maneuver unhindered.
Sikandar Khan because the scrap vendor deeply connected to his dumb brother and desperately making an attempt to salvage household’s sinking fortunes and Moin Khan because the brother give spectacular performances.
Vijay Kumar Travelling Field Theatre, Goa staged “Thank You, Dadaji” which is written and directed by Vijay Kumar Naik. The play unfolds within the centre of a corridor with viewers on 4 sides which might be described as an enviornment stage. The manufacturing is exceptional for its delicate remedy of the world of a lonely aged widower.
An austere manufacturing, it’s wealthy in suggestion. The ingredient of suspense holds the curiosity of the viewers. The motion strikes ahead rhythmically to a climax that has glad ending, affirming that man is basically good at coronary heart. Vijay Nayak because the lonely outdated man and Sagar Pednekar because the thief masquerading as a grandson give good performances with intense focus on the delineation of their characters with refined touches.
Written by Manish Joshi, directed by Suvojit Bandhopdhay and introduced by Theatre Shine, Kolkata, “Thirsty Crow Returns” is likely one of the advantageous productions of the pageant. College Kids know concerning the story of a thirsty crow who managed to quench its thirst by selecting pebbles one after the other and dropping them right into a pitcher half-filled with water. Within the play below evaluation, the brand new era crow has a wider imaginative and prescient of life and is determined to get a revered place in the neighborhood of forest animals and birds. With the assistance of its good friend, a bit woman, it succeeds in his bitter wrestle.
It has charming music, vibrant costumes and choreographic patterns that exude vitality. The outlandish masks are harmonised into an inventive entire.